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Two synthetic entities play at exterminating human beings, monitoring the progress of their plan through a network of surveillance cameras. Everything seems to be proceeding according to plan, until a sudden uprising puts the mission at risk.

Anyone who claims that you can't live with half a heart should be invited to a fairy tale about a king who once gained a crown in exchange for half his own heart. He gained a crown for part of his heart, but he lost much more – himself, his wife and his child. The prince must undergo difficult trials and fight a witch to save King Oskar and the kingdom...

Video #11″As skateboarding falls into the limelight of mainstream society skateboarders are adapting to the evergrowing restrictions and adversities placed upon them From patching cracks to building personal skateparks ie explores the experience of pushing the boundaries of skateboarding in a world full of limitations” Anthony Pappalardo, Caine Gayle, Daewon Song, Diego Bucchieri, Mark Appleyard, Rob Dyrdek

Bellini's radiant retelling of Shakespeare's Romeo and Juliet is a beacon in the bel canto tradition. San Francisco Opera's co-production features two of the greatest voices in bel canto together for the first time: mezzo Joyce DiDonato and soprano Nicole Cabell. Their compelling duet is one of the finest marriages between two voices in many, many years. The production, directed by Vincent Broussard and featuring costumes by Christian Lecroix, is captured in brilliant HD.

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This is the version of I Capuleti e i Montecchi made for La Scala, where it was first staged on 26th December 1830, featuring two female voices in the roles of Romeo and Juliet. This opera is usually performed with a tenor as Romeo, but at La Scala Bellini found a different singing troupe which obliged him to cast not the en travesti warrior of Rossinian manner (like Tancredi, Arsace, Malcolm) but a wholly female Romeo, ardent and authoritative yet at the same time languid, sensual and soft. The choice of this Capuleti at the 2005 Martina Franca Festival was also dictated by the availability of Patrizia Ciofi. This great specialist of romantic belcanto had never been offered the role of Giulietta in Capuleti, a role which is absolutely ideal for her vocal talents.

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三位命运女神冲向新生儿，但其中一位未能及时赶到。这位女神是蒂（埃米莉亚·瓦萨里约娃），她本应赐予小约汉卡幸福与爱。命运女神女王将蒂逐出神界，让她去弥补自己的过失。